It was more than a hundred years ago that Tucker Brooke’s well-known and frequently quoted anthology The Shakespeare Apocrypha appeared, Being a Collection of Fourteen Plays Which Have been Ascribed to Shakespeare (Oxford, 1908). A great deal of work has been done since then about which plays might legitimately be described as belonging to such a group; some have been more or less accepted as part of the canon, a number have been ascribed to Shakespeare as co-author, while the claims of the majority have been almost universally denied on the grounds that they lack any particularly Shakespearean character or dramatic idiom. Jonathan Bate and his team, in a brave, but perhaps a little hasty attempt to provide a modern equivalent, have left out some plays whose right to be discussed in this connection at all is tenuous, as well as those that have already found a place within modern Shakespeare editions or series. The remaining titles are all plays whose relation to Shakespeare as collaborator in the widest sense has been established by recent research.
DOI: | https://doi.org/10.37307/j.1866-5381.2014.02.15 |
Lizenz: | ESV-Lizenz |
ISSN: | 1866-5381 |
Ausgabe / Jahr: | 2 / 2014 |
Veröffentlicht: | 2014-11-19 |
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